Since my high school years, my profession in electricity has unexpectedly converged with my long-standing desire to engage in art. This encounter has opened an alternative path for imagining the subjects I work on. The concept of energy—which constitutes the foundation of life—transforms into an interdisciplinary mode of thought in my practice, as it becomes both a controllable source and a metaphor that alters visible and invisible states around me.

In recent years, coding, electronics, found objects from daily life, and elements from nature have become central components of my work. My subjects often revolve around micro-situations, cycles, and coincidences that distinguish movement from stillness in nature and everyday life. By blending fundamental principles of art with contemporary techniques, I aim to create a language that invites the viewer not only to observe but also to experience.